These intriguing photos are from a series of images that depict a ‘Pro-Rec’ mass demonstration held at Brockton Oval in Stanley Park in 1940. “Pro Rec”, short for Provincial Recreation, was a community sport and recreation initiative offered through the Physical Education Branch of the BC Department of Education. It was developed by Jan Eisenhardt (program administrator) with the support of BC Minister of Education, George Weir.The community-oriented scheme (initially set up in 1934) offered volunteer-run games and recreation classes for those unemployed aged 15 and over. The program proved so popular, that the Pro-Rec program was eventually made available to all in 1936. Summer displays (like these from 1940) were used to promote a changing schedule of activities.
To celebrate the 25th anniversary of her move to this Province, a friend of mine recently mailed out postcards from her extensive personal collection to all her friends. Each of the thoughtfully selected postcards contained a brief narrative about one of her many experiences over the past 25 years. It was a delight to receive such a personal memento in the mail.
Analogue experiences like this are far and few between these days thanks to the internet. There is no doubt that everyone loves to receive a handwritten card, however very few people actually take the time to write one these days. Since the advent of email, texting, twitter, Facebook and other digital technology there really isn’t a need, nor desire, to write and send letters (or cards) via snail mail. Even etiquette traditionalists, bowing to the new technology, agree that email is an acceptable way to deliver an invitation, thank-you note or business letter.
What does this all mean? It means the end of the conventional post office and mail delivery as we know it. I’m afraid that door-to-door mail delivery is going the way of the rotary dial landline telephone (remember those?) and I think that is a real shame.
It’s a shame because it’s not just about the lost art of letter writing and receiving hand written items in the mail. It’s a shame because it’s also about losing the tradition of having your mail delivered personally to your door by another human being.
Spend any length of time living in Vancouver and you know it is constantly changing (old buildings come down, new buildings go up). Vancouver is a city in flux.
For a relatively young city (in the global scheme of things), Vancouver has certainly gone through its fair share of changes in its 129 year history. Personally, I am amazed how quickly one can get used to the new scenery and forget what used to be there before. In my own experience, that is just in the past 40 years. Imagine how much the city would have appeared to have changed for people who lived here 80 or 100 years ago – it would be almost unrecognizable to them.
Here is a brief snapshot look at one part of that flux – Cedar Street aka Burrard Street.
This sidewalk stamp reveals the former name of the southern portion of Burrard Street in Vancouver. According to “Street Names of Vancouver” by Elizabeth Walker, Cedar Street dates back to 1885 and was named by L. A. Hamilton, Vancouver’s most influential street namer. When the Burrard Bridge was completed in 1932, Burrard St. (north side, downtown) was then linked to Cedar St. on the south end of the bridge. Cedar Street was officially renamed Burrard Street in 1938.The addition of the Burrard Bridge in 1932 dramatically changed this part of the city, and eventually Cedar Street permanently. As seen in the photo above, this part of Cedar Street from the southern end of the Burrard Bridge to 1st Avenue was mainly undeveloped, scrubby land – no Molson’s Brewery complex (originally Sick’s Capilano Brewery – 1953) or Seaforth Armoury (1936) to be seen.
We are all familiar with the adage a picture is worth a thousand words, so when I came across this (ca. 1972) charming image of a man and woman in the window of a store in Strathcona, I wondered what thousand words would describe it? Seemed like a good opportunity to delve into a little historical research.Being a true Vancouverite, my first thought was: Is the building still standing? [knowing full well that many old buildings in Vancouver get torn down before their time] And if so, what was its history? A quick check on Google Maps street view showed that, indeed, the building was still standing and a field trip to the area confirmed it.
Perhaps a little worse for wear, but actually looking pretty good for over 40 years on. I next wondered, just how old is the shop and building anyway? The best way to find this kind of information out was to do some building history research.
On this 4th and final installment celebrating the 60th anniversary of CBUT, we take a dramatic turn and look at a few interesting stories in the “long and honourable” history of television drama on CBUT (CBC Vancouver).
The recent series of CBC cutbacks and layoffs announced by CBC-SRC’s dispassionate president, Hubert Lacroix, were essentially the fatal blow at the end of a long slow death for all original (non-news) programming on CBC TV. There was a time (long, long ago) however, when the CBC was at the forefront of original programming.
Many Canadians (especially those of a certain age) will be familiar with the history of CBC-TVs documentary and music programming, however many may be unfamiliar with the history of its dramatic programming.
Like much programming on the CBC, drama had its start on CBC’s radio service. In it’s early years, CBC radio’s national and regional drama series featured the best of both domestic and international drama. This dramatic tradition continued on the small screen when CBC started its television service.
CBUT played a very important role in the early history of Canadian TV drama. In his publication for the BC Provincial Archives, Camera West: British Columbia on Film 1941-1965, media archivist Dennis Duffy notes that “Vancouver had nurtured important elements of the Canadian radio drama tradition, and there was considerable interest in television drama there”.
Mary Jane Miller states in Turn Up the Contrast: CBC Television Drama since 1952, that “CBC television drama in Vancouver has [had] a long and honourable history, starting with good children’s programming like Hidden Pages“. The establishment of CBUT’s Film Unit in 1956 allowed CBUT to produce a number of significant documentaries and dramatic programs alongside the many studio shot productions. By 1957, CBUT was producing its own drama anthology series like, Spectrum, Pacific 13 and Studio Pacific, as well as contributing to the CBC network anthology of regional drama, Playbill.
Some readers may be familiar with CBUT produced dramatic series like Cariboo Country and The Beachcombers, but may not be familiar with (or have long forgotten) some of its earlier one-off dramatic productions. The story of CBUT television drama is so rich and full that one little blog post could hardly do it justice, I present instead the stories of four interesting notables:
I found these great photographic images of these women serendipitously while doing another task at the City of Vancouver Archives. [Isn’t that the best way to discover interesting new things?] Though both images essentially depict the same thing – an attractive woman – despite being taken only two years apart, I was intrigued by how differently these women were portrayed. Especially since these images appeared on back covers of the same publication, Wallace Shipbuilder. The side by side juxtaposition of the two images piqued my interest.
Wallace Shipbuilder was the company newsletter for the Burrard Dry Dock workers during WWII. Sharing news of production, health and safety and social activities, Wallace Shipbuilder was published monthly, running from July 1942 to September 1945.
I have been suffering recently with a case of writer’s block. I have several drafts of future posts for Vanalogue in various stages of completion, but have been unable to complete any of them. It has been very frustrating. In order to relieve the tension of uncompleted tasks and release the writer’s block, I decided it was time to try something creative, fun and a little daring – making a molded gelatin salad.
About a year ago I wrote the following in a post titled Cooking Up the Past:
My ultimate vintage recipe goal is to make a gelatin salad or aspic – there is something truly otherworldly about them. However, first I need to procure a nice gelatin mold… and perhaps a little courage!
Though it took me about a year, I’m pleased to announce that I conquered my fears, found a vintage gelatin mold and made my first molded gelatin salad. In fact, I made two. Here’s the full story:
For months I have been scouring second hand stores and garage sales for a vintage gelatin mold. I finally found this 6″ tall one for $3 this summer. I thought it would make a very elegant looking gelatin salad (and would also be excellent for making a fancy ice cream bomb!).
I really wanted to make a gelatin salad with “things” suspended in it, so I scoured my collection of vintage cookbooks and the internet for suitable recipes. During my research I discovered that Jell-O once produced vegetable flavoured gelatin’s specifically for gelatin salads. Apparently the the possibilities were endless for what one could suspend in gelatin!